Jagódki ZPiT
Jak napełnić toner
Jacek Durski
jak działa flukonazol
jajko na szydełku
Jagiellonka Spółdzielnia
j.niemiecki-prace maturalne
J en Ai Marre
J Lo Selena
Jak napiasć testament
Widzisz wypowiedzi wyszukane dla zapytania: Jackie Fields
Temat: Oscary 2007
Nominowani do Oscarów 2007
Najlepszy film:
"Babel"
"Mała miss"
"Królowa"
"Infiltracja"
"Listy z Iwo Jima"
Najlepszy aktor pierwszoplanowy:
Leonardo DiCaprio
Ryan Gosling
Peter O’Toole
Will Smith
Forest Whitaker
Najlepszy aktor drugoplanowy:
Alan Arkin
Jackie Earle Haley
Djimon Hounsou
Eddie Murphy
Mark Wahlberg
Najlepsza aktorka pierwszoplanowa:
Penelope Cruz
Judi Dech
Helen Mirren
Meryl Streep
Kate Winslet
Najlepsza aktorka drugoplanowa:
Adriana Barraza
Cate Blanchett
Abigaile Breslin
Jennifer Hudson
Rinko Kikuchi
Najlepszy reżyser:
Paul Greengrass - "Lot 93"
Clint Eastwood - "Listy z Iwo Jimy"
Stephen Frears - "Królowa"
Alejandro Gonzalez Inarritu - "Babel"
Martin Scorsese - "Infiltracja"
Najlepszy film nieanglojęzyczny:
"Po weselu" - Dania
"Dni chwały" - Algieria
"Życie na podsłuchu" - Niemcy
"Labirynt Fauna" - Meksyk
"Woda" - Kanada
Najlepszy film animowany:
"Auta"
"Happy Feet. Tupot małych stóp"
"Straszny dom"
Najlepszy animowany film krótkometrażowy:
"The Danish Poet" "Lifted"
"The Little Matchgirl" "Maestro"
"No Time for Nuts"
Najlepszy scenariusz oryginalny:
"Babel"
"Listy z Iwo Jima"
"Mała Miss"
"Labirynt Fauna"
"Królowa"
Najlepszy scenariusz adaptowany:
"Borat"
"Ludzkie dzieci"
"Infiltracja"
"Małe dzieci"
"Notatki o skandalu"
Najlepsza muzyka:
"Babel" - Gustavo Santaolalla
"Dobry Niemiec" - Thomas Newman
"Notatki o skandalu" - Philip Glass
"Labirynt Fauna" - Javier Navarrete
"Królowa" - Alexandre Desplat
Najlepsza piosenka:
"Niewygodna prawda" - "I Need To Wake Up"
"Dreamgirls" - "Listen"
"Dreamgirls" - "Love You I Do"
"Auta" - "Our Town"
"Dreamgirls" - "Patience"
Najlepsze zdjęcia:
"Czarna Dalia"
"Ludzkie dzieci"
"Iluzjonista"
"Labirynt Fauna"
"Prestiż"
Najlepszy film dokumentalny:
"Deliver Us from Evil"
"Niewygodna prawda"
"Iraq in Fragments"
"Jesus Camp"
"My Country"
Najlepszy krótkometrażowy film dokumentalny:
"The Blood of Yingzhou District"
"Recycled Life"
"Rehearsing a Dream"
"Two Hands"
Najlepszy montaż:
"Babel" - Douglas Crise, Stephen Mirrione
"Krwawy diament" - Richard Chew, Steven Rosenblum
"Ludzkie dzieci" - Alfonso Cuarón, Alex Rodríguez
"Infiltracja" - Thelma Schoonmaker
"Lot 93" - Clare Douglas, Richard Pearson, Christopher Rouse
Najlepsza charakteryzacja:
"Apocalypto"
"Klik: i robisz, co chcesz"
"Labirynt Fauna"
Najlepsza scenografia i dekoracja wnętrz:
"Dreamgirls"
"Dobry agent"
"Labirynt Fauna"
"Piraci z Karaibów: Skrzynia umarlaka"
"Prestiż"
Najlepsze kostiumy:
"Cesarzowa" - Chung Man Yee
"Diabeł ubiera się u Prady" - Patricia Field
"Dreamgirls" - Sharen Davis
"Maria Antonina" - Milena Canonero
"Królowa" - Consolata Boyle
Najlepsze efekty specjalne:
"Piraci z Karaibów: Skrzynia umarlaka"
"Posejdon"
"Superman: Powrót"
Najlepszy montaż dźwięku:
"Apocalypto"
"Krwawy diament"
"Sztandar chwały"
"Listy z Iwo Jimy"
"Piraci z Karaibów: Skrzynia umarlaka"
Najlepszy dźwięk:
"Apocalypto"
"Krwawy diament"
"Dreamgirls"
"Sztandar chwały"
"Piraci z Karaibów: Skrzynia umarlaka"
Najlepszy aktorski film krótkometrażowy:
"Binta y la gran idea"
"Éramos pocos"
"Helmer & Son"
"The Saviour"
"West Bank Story"
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Temat: Standup Comedy - An Evening With George Burns
[size=24]Standup Comedy - An Evening With George Burns[/size]
Plik [b]Standup Comedy - An Evening With George Burns[/b] jest tylko linkiem dla programu Torrent nie jest to dana aplikacja lub plik, dokument, itp. Posiadanie linków Torrenta nie łamie prawa a ściągane za ich pomocą programy należy usuwać po upływie 24 godzin.
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[code]Recorded live at the Shubert Theatre, Introduction by Jack Benny. This recording doubles as a hitory of vaudville and standup comedy from the 1920s to the 80s. Try something a little different.
<a href="
http://allmusic.com/cg/am...q5ld0e~T1" rel="nofollow">
http://allmusic.com/cg/am...0e~T1</a>
Biography by Cub Koda
George Burns had two distinct careers, one an outgrowth of the other. After the death of his beloved wife and partner for 40 years, Gracie Allen, George Burns went back to work in show business as a single. This wasnt the first time, as Burns had a checkered career pre-Burns and Allen when he first started in vaudeville, doing any kind of an act that would keep him in front of audiences. "Show business had a lot of appeal to me," Burns once said, "you got to wear nice clothes, you got to travel, sometimes you got paid, and it didnt require heavy lifting. You didnt really need much talent to get started in vaudeville, and if there was one thing I had, it wasnt much talent." He worked as Glide in "Goldie, Fields, and Glide," Jose of "Jose and Dolores," Eddie Delight, Jed Jackson of "Jackson and Malone," Harris of "Harris and Dunlop," Maurice Valentine of "Maurice Valentine and his Trained Dog," Captain Betts of "Captain Betts and his Trained Seal," and Γ?? at various times Γ?? both Brown and Williams of "Brown and Williams." This kind of non-stop non de plume action would dismay most performers, but as Burns Γ?? born Nathan Birnbaum in 1896 Γ?? so saliently pointed out, "The only things all of my acts had in common is that they werent very good. I only had one rule: I only worked with people who would work with me. It was tough, but I loved every minute of it. I was in show business and that was all I cared about. There was always another theater, or a new act, or a new name. I never cared what name I was working under, as long as I working. And why should I have felt bad about changing my name? Even my real name wasnt my real name." But now-almost 60 years after he started singing with the Pee Wee Quartet for street corner change in New York-he was on his own again, this time as George Burns, former straight man to one of the most revered comediennes in show business history. This would normally start the descent of most any performer, starting from square one in their 70s. But the single most amazing fact of this story is not only did Burns take those odds, but ended up ultimately becoming the longest running act in show business with a solo career that even eclipsed his 40 years feeding straight lines to Gracie Allen.
Of course all that time spent in the trenches, both pre and post success, had informed Burns with a show business savvy second to no one. He was the behind the scenes brains behind Burns and Allen, writing all of their early material, working on Gracies character until he had honed the act into a well oiled and incredibly successful machine. He knew what worked and what didnt and had his phalanx of writers groove all their material in a singular direction that never varied, but only embellished, the publics perception of their characters. Burns kept the machine up and running, scoring major successes in vaudeville, the movies and radio for the next 20 years. When that machine landed on television in the early 50s, Burns started his own company, producing other shows besides his own. The first of these was The Peoples Choice, a sitcom starring former child star Jackie Cooper, who worked with a talking basset hound as a co-star. This talking animal gimmick reached its television apogee with another show Burns company later produced, Mister Ed.
After Gracie put an end to the act, announcing her retirement in 1958 (see Burns and Allen entry), George was quickly back on the air appearing with Connie Stevens in the half hour comedy, Wendy and Me. He also started working live again, teaming up with both Stevens and Carol Channing as well as giving newcomer Ann-Margret her first big break as a featured performer in his Vegas act. He appeared on or starred in television specials like there was no tomorrow, among them, George Burns In Nashville?, George Burns Early, Early, Early Christmas Special and the funny and touching A Love Letter To Jack Benny. Burns suddenly became the darling of the late night talk show circuit (Johnny Carson in particular), regaling audiences with one great show business story and old song-which he would deliberately never finish-after another. He had achieved legendary status, a true show biz veteran who could still get in there and mix it up. But unlike many an old vaudevillian who could only dredge up former glories, George was smart enough to update his act to keep current with the times and always making sure his material-like his toupees-fit his age. He started appearing in movies again, doing everything from inane guest shots in the execrable Sgt. Peppers Lonely Heart Club Band (making him certainly the only performer in show business history to work with both Al Jolson and Aerosmith), to playing God in two hit movies. He cut hit records ("I Wish I Eighteen Again," "Its The Only Way To Go"), he did one man shows to packed houses. The older he got, the better his act got.
Approaching his 80s, he suddenly decided to start putting his wit and wisdom down on the printed page. With a ghost writer taking it all down, the man who barely finished the fourth grade ended up writing eight books Γ?? all of them best sellers Γ?? including a marvelous tome on the love of his life, entitled Gracie: A Love Story. He won an Academy Award for Best Supporting Actor in Neil Simons The Sunshine Boys at the age of 79. He was one of the pioneers who helped invent modern show business, there at the dawn of recordings, movies, radio and television. He lived to be 100 and then some, his career spanning almost the entire 20th century. George Burns was truly one of the all time greats and it is safe to say that we will never see his likes again.
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